Featured Editorial UX Design

Bridging the Mobile Illegibility Gap for 68% of Daily Mail Readers

Designed multimedia graphics that captivate online news readers, deliver high-quality information, and drive paid subscriptions for Daily Mail. Created in Illustrator and converted into responsive experiences using HTML, CSS, and JS.

Daily Mail Logo
Role: Multimedia Graphics Editor.
Desktop Mockup
Mobile Mockup

Mobile-friendly graphic (left) and responsive desktop website (right).

Case Study: Mobile-First News Graphics

1. The Challenge

The Daily Mail data showed a significant shift: 68% of traffic originated from mobile devices by 2025.

"How do we overhaul the visual experience for the 68% mobile majority without degrading the experience for the 22% of loyal desktop/tablet users?"
68%

Mobile traffic as of 2025

2. User Research & Insights

Pinch-to-Zoom Friction

Users dropped off when forced to manually zoom to read data points.

Information Density

Graphics failed the "glance test" on 6-inch smartphone screens.

Aspect Ratio Mismatch

Landscape graphics left massive wasted space on vertical screens.

3. Design Strategy: "Responsive Storytelling"

Feature Mobile (68%) Desktop (22%)
Layout Vertical Stacking Horizontal Spread
Typography Min 12px; High Contrast 12px - 16px
Interactivity Tap/Swipe Cards Click/Hover Tooltips

4. The "Dual-Path" Implementation

1

Vector-Based Rendering

Switched from static JPEGs to SVG/HTML5 for infinite scalability.

2

Conditional Loading

Device detection serves a "Simplified Vertical" or "Detail-Rich Horizontal" version automatically.

5. Impact & Results

+44%

Time-spent-on-page (Mobile)

WCAG

Full Accessibility Compliance

Unified

One master dataset for all devices

6. Reflection

The solution wasn't about choosing one platform over the other; it was about reframing the graphic as a container for information rather than a fixed picture. By prioritizing the 68% through mobile-first design, we actually created a cleaner, more legible experience for the remaining 22% as well.

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